After Nature – Swiss Photography in the 19th Century
After Nature – Swiss Photography in the 19th Century
After photography was proclaimed as a French invention in 1839 in Paris, the new medium quickly embarked on its victory march throughout Europe. Although the race for technical innovation started in the cultural centres, the heavy cameras soon made their way to the villages and the countryside, to remote valleys and mountains, where photographers gained recognition for their images “after nature”. How was photography able to spread so rapidly? Who were the Swiss pioneers who constantly came up with new applications, from representative portraits to mug shots, from nature and landscape studies to the representation of industry and technology, from a scientific practice to the documentation of events?
The exhibition “After nature” presents a previously underexplored chapter in the story of Swiss photography. For the very first time, a retrospective exhibition presents the first 50 years of this new medium in Switzerland. It brings together exquisite works from numerous public and private collections, in order to capture this momentous invention in its artistic, social and economic dimensions.
Exhibition poster Nach der Natur – Schweizer Fotografie im 19. Jahrhundert, designed by Müller+Hess (Basel), printed by JCM (Schlieren).